My art practice emerges from my personal experiences and emotions, expressed through a deep curiosity to understand the diverse experiences of women from different communities with whom I collaborate. It is a cathartic process — both for myself and for those involved — culminating in artworks that embody these shared journeys.

I work with gendered textile traditions, particularly Ajrakh block printing and natural dyes, collaborating with male artisans to question ideas of identity, gender equality, and the evolving role of craft traditions in shaping lives.

My material practice is expansive, optimizing the use of fabrics, acrylics, earth pigments, charcoal, and other media like performance, video art. My process moves between a ‘post-studio’ practice — working in community spaces — and a deeply personalized studio practice where these collective experiences are transformed into artworks.